Malaysian filmmaker Li Anne Liew’s glide (all the people i’ll never be) is a sun-softened, film-shot reverie about a ghost who learns to grieve by watching other people.
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Malaysian filmmaker Li Anne Liew’s glide (all the people i’ll never be) is a sun-softened, film-shot reverie about a ghost who learns to grieve by watching other people.

Jyoti Mistry’s The God that Destroys stitches archival frames and fresh 16mm to probe Sámi cosmology and the legacies of colonial extraction.

Co‑directors Leandros Braounos and Daniel Howells shape a slow, atmospheric short—shot in the Drakensberg, graded for 16mm texture and scored by Braam du Toit.

Tara Gajović made Over the Threshold as her graduation short; Directors Notes calls it one of the most strikingly shot films in Sarajevo’s programme.

Rabie’s 22‑minute Hyodo’s Paradise resists gawking, building intimacy across a language barrier while forcing the director to confront his own judgments.
Tanner K Williams’ “Beat Bunny” for Povoa x Madge, made with Magna Studios, took Gold at the Young Director Award 2026 and at the British Arrows. Alex Acy, French-Canadian and based between Montréal and Los Angeles, followed his Chainsmokers video “Helium” to YDA Silver.
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Images: stills from the videos, re-angled with AI and labelled as such. Rights remain with the producers. Videos play from the creators’ own YouTube or Vimeo uploads.
Luna Carmoon, Jake Erland, Yeeiid, Nico de Sola, Mikuláš Hrdlička, Sharon Chung and Alvynn Diagne, with where to find them.
Jake Gabbay (Clipse), Mikuláš Hrdlička (Son Lux), Daniel Attoh (Genesis Owusu) and Badr Ezzat (Coast Contra).
Every video in this issue plays right here, from the creators’ own uploads. Press play, then follow the links to their work.
Five names, one city and a handful of videos, every Thursday. Every claim sourced, every video embedded, every creator linked.